Seven questions for a printmaker ~ Tina Hagger aka HandmadebyHaggy, a UK printmaker

Derek Jarman's Garden Prospect Cottage, Dungeness - four colour multi-block linocut print Do you remember the first print you ever made? I remember the wondrous feeling of turning the handle of an Etching Press and peeling paper off wet black ink to reveal my first ever linocut print. I had…

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Liz Chalfin introduces non-toxic printmaking techniques to renowned artist William Kentridge

William Kentridge and Liz Chalfin - William drawing with coffee Liz Chalfin, the Director of Zea Mays Printmaking, a non-toxic studio in Massachusetts, recently embarked on an exciting trip to Johannesburg to teach a workshop at Artist Proof Studio. Whilst there, she was introduced to William Kentridge, one of the…

Continue ReadingLiz Chalfin introduces non-toxic printmaking techniques to renowned artist William Kentridge

A Printmakers view of Katsushika Hokusai – The restless artist.

The Great Wave at Kanagawa by Katsushika Hokusai This article was published in Resurgence Journal, May 2017 by printmaker Rod Nelson. Often the greatest artists make it easy for almost anyone to appreciate their work. Their work seems ‘natural’. Although a lengthy intellectual and aesthetic apprenticeship may be required to…

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Printing in Havana at El Taller Experimental de Grafica-Robynn Smith

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I just returned from a short residency at El Taller Experimental de Grafica in Havana, Cuba. Eight American printmakers worked alongside Cuban printmakers using Solarplate technologies founded by Dan Welden. Dan provided Solarplates for the Cubans and we had a wonderful time teaching them how to use the Solarplates and…

Continue ReadingPrinting in Havana at El Taller Experimental de Grafica-Robynn Smith

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