Post author:martciel Post published:May 1, 2020 Post comments:1 Comment Tawny Frogmouths. Four colours done – three to go You Might Also Like Obsessed with Experimenting May 1, 2019 How Poetry and Print Can Weave a Family’s Story Together May 3, 2022 Liz Chalfin introduces non-toxic printmaking techniques to renowned artist William Kentridge February 18, 2019 Leave a Reply Cancel replyYou must be logged in to post a comment. This Post Has One Comment rearnold May 1, 2020 Log in to Reply Printing in my studio in the mountains of Western Tasmania. Proofing a new plate (128) in a large panorama of surrounding landscape on a very wet Saturday.
Liz Chalfin introduces non-toxic printmaking techniques to renowned artist William Kentridge February 18, 2019
rearnold May 1, 2020 Log in to Reply Printing in my studio in the mountains of Western Tasmania. Proofing a new plate (128) in a large panorama of surrounding landscape on a very wet Saturday.
Printing in my studio in the mountains of Western Tasmania. Proofing a new plate (128) in a large panorama of surrounding landscape on a very wet Saturday.