These pieces, like the beginnings of all my recent work, builds layers of multiple methods of printmaking. I started with multiple layers of monoprint using Speedball block printing inks and transparent base in a thin washes using a paintbrush, roller, and rag. I printed first on three different papers on…
Printed on Print Day in May, 2025, Connecticut, USA. A “paper” lithograph with chine colle originating from a photo I took during a recent trip to Kenya. Made using products from tagged sponsors.
Photopolymer gravure print created with a Green Mountain Plate from Cone Editions, Charbonnel 55981 ink on Hahnemuhle copperplate paper. From an original photograph on film I took over 50 years ago while on summer vacation, traveling through California with my parents and brother.
Hello print friends! Had a great Print Day in May printing this woodcut print at AS220 today! Printed with @speedball_art relief print ink from @blickartmaterials on fabric and Japanese masa paper from @legionpaper Carved and rolled with tools from mclain’s @mcclains.printmaking.supplies. Carved from cherry plywood from @columbiaforestproducts.m @bostonprintmakers @cranfieldcolours @creativeartsworkshop…
Linocut. Author: Julia Suchanska Linocut. This image is close to memories of my grandmother and her wonderful clothes.
An image of a seed pod surrounded by a background of stellular shapes and tones. Toner transfer on copper and then etched and spray aquatint added.
I spent Print Day in May 2025 at Fife Dunfermline Printmakers Workshop creating my first trial print for a new edition of drypoint prints with chine-colle. I applied a light application of ink and wiped off more than usual from my plate to create a hazy effect but I think…
Print Day In May no PROJETO TRAMAS - Cabeceiras de Basto, PORTUGAL. Um dia Memorável e com Lotação Esgotada. Muito Obrigado a vocês. Um projeto TEQUE , com o apoio da Câmara Cabeceiras de Basto e em parceria com o Agrupamento de Escolas de Cabeceiras de Basto a Erre Ceramica…
