Prints by William Minor

I was fortunate to have studied printmaking at Pratt Institute, the University of Hawaii, and the University of California-Berkeley—and would like to celebrate International Print Day by “exhibiting” some of the prints I’ve done over the past fifty-five years: the first piece, “Emblems of Conduct” (based on a poem by Hart Crane) an aquatint (an intaglio technique, a variant of etching); the second a color woodcut (a poem in Classical Greek, “The Lost World of Adonis,” by Praxilla); the third a color woodcut (a poem in Russian, “A Sail,” by Mikhail Lermontov); the fourth a color woodcut, “Crucifix” (title in Koine Greek: Χριστὸς ἀνέστη! Ἀληθῶς ἀνέστη!); the fifth a color woodcut also (a poem in Russian, “To Love Some Women Is a Heavy Cross,” by Boris Pasternak).

I have included my own translations of the poems after the “exhibition” of prints. Happy International Print Day everyone!

Print Emblems of Conduct

Praxilla2 Print Lermontov Print Crucifix Print Pasternak

THE LOST WORLD OF ADONIS

Loveliest of what I leave is the light of day,

and secondly the brilliant stars and the moon’s face,

but also ripe cucumbers, apples, and pears.

—————————–

A single sail shimmers, lonely,/ above the azure mist of sea;/ what does it seek in distant lands?/ What has it left so far behind?

Waves play. The wind sings./ The masts creak, constantly./ How sad! It is not joy he seeks,/ nor happiness from which he runs.

A blue light glows within the waves./ The sun above burns golden./ Yet the rebel sails toward storm,/ as if in storm alone were peace.

——————————

TO LOVE SOME WOMEN IS A HEAVY CROSS

To love some women is a heavy cross/ but you are beautiful without blemish./The secret of your subtle charm/rivals the secret of life itself.

Spring comes, rustling, and we know again/ what stirs with novelty and truth./ From that source you began./ Your meaning’s clear and like the air, so unconcerned.

Lightly you’re aroused, and then to ripen!/To shake from out the heart the waste of words–/ to live! No longer bound./ But this takes more than cunning, more than craft.

 

 

 

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